These artworks all play off AI. The initials stand for Amy Ione, and not artificial intelligence.
AI series (4 pieces)
Category: *Browse*
This section showcases Amy Ione’s paintings from throughout her career. Other tabs sort by decades, topics, time periods, and so forth.
AI (Color) #2 (1988)
Ink and acrylic on 300-lb. archival white paper.
In this case, AI denotes the creator, Amy Ione, not artificial intelligence. Includes a certificate of authenticity.
AI (Black-and-White), #1 (1988)
In this case, AI denotes the creator, Amy Ione, not artificial intelligence.
See also the painted version on plexiglass, here
AI (Plexiglass), #3 (1988)
Acrylic, ink, on plexi-glass. Drilled holes for textured ribbon used for hanging.
In this case, AI denotes the creator, Amy Ione, not artificial intelligence.
Dome (1991)
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Amy Ione
Title: Dome
Date: 1991
Medium: Acrylic and ink on archival paper
Dimensions: 11.5 x 13.5 inches
Signed
Early Black-and-White Process: Ink on Paper
The early sketches for Libra on this page demonstrate how some of my early black-and-white pieces were developed and how I used Koh-i-noor technical pens in sketching them out. These Koh-i-Nor technical pens produce lines in a range of line widths, as shown in the chart that accompanies this entry. They helped guide the perceptual visualization process that aimed to portray a musical dynamic.
Continue reading “Early Black-and-White Process: Ink on Paper”
Spiral Song (1985)
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Amy Ione
Title: Spiral Song
Date: 1985
Medium: Ink on archival paper
Dimensions: 22.5 x 30 inches
Unsigned
Catalog Number: 35733
Do You See What I See? #2
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Amy Ione
Title: Do You See What I See? #2″ (Greeting Card)
Date: 2017
Medium: Ink on archival paper
Dimensions: 6.75 x 5 inches
Signed
Catalog Number: 25718
Continue reading “Do You See What I See? #2”
The Dance (on textured turquoise paper) (1977)
This carefully staged, dreamlike interior merges theatrical space, symbolic imagery, and an abstracted dancing figure. Executed in colored pencil and ink, the drawing balances delicacy of line with a restrained yet luminous palette dominated by cool shades of blues, punctuated by warmer accents. The blues are accentuated by my use a paper that is both turquoise colored and textured.
Continue reading “The Dance (on textured turquoise paper) (1977)”
Lovebirds (1987)
Lovebirds (1987) is a finely balanced ink drawing that captures the intimacy and symmetry of paired forms. Executed with crisp line work and subtle geometric interplay, the composition evokes both natural grace and abstract rhythm. The drawing was conceived collaboratively with Jerry Bass for Tjotjok, a collection of 86 Bass poems illustrated by my art. Continue reading “Lovebirds (1987)”